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2022 I started to know my lines quickly exploring Istanbul - geographically, but also as the remembering sentences that try to define oneself and one’s path, resulting in a series of 3 D prints that became a haptic journal throughout the residence at arthere Istanbul.
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2022 A short documentation about Slay, Pray, Display at duflon/racz blending together computer generated works together with the manufactured magical tools of S. Aktekin.
2022 Imposed avatar is an attempt to hack the image of oneself on the screen created by the military male gaze. It is a re-appropriation through the method of glitching.
2022 Inverted Bloom introduces you to a mystic and/but cartoonish experience, released via Daralan Records
2020 Tracing family history and traditions of transformation with Int Document A - screened at Auswahl `20, Kunsthaus Aarau.
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2020 Augmented Other/ing discusses cultural appropriation as a process of othering in the context of the postcolonial digital museum, published in Freiburger Zeitschrift für Geschlechterstudien.
2019 A manifesto to preserve the wish for a slower world; introducing winterschlaf.Institute for Rote Fabrikzeitung.
2015 A Portrait about the great artist Olivier Mosset By Jessie Fischer contains music from my early experiments with guitar-drones and feedback loops.
2012 The lower the resolution of the image, the higher the emotional impact. Changer is composed of poor images taken with first generation digital cameras:
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“Did you ever interact with screens while dreaming? Like scrolling, writing, looking at pictures or videos online? Does the way we look at the surface of monitors and displays interrupt the rapid eye movement that is often associated with the experience of dreams?
Each time we interact with computer screens in our dreams, the way we look 'into' the display - a fixed point in space - disrupts the steady movements of the eyes during dream experiences and leads to immediate waking.”
“Slay, Pray, Display”, duflon/racz, 2022
Each time we interact with computer screens in our dreams, the way we look 'into' the display - a fixed point in space - disrupts the steady movements of the eyes during dream experiences and leads to immediate waking.”
“Slay, Pray, Display”, duflon/racz, 2022
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tempomortality 2024 A4 fake tattoo sheets with symbols of infinity and rebirth, series of 10 / Installation view ‘luna lunga, éspace libre, Biel/Bienne
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(time becomes meaningless in this context) 2023 a ongoing series of gifs sourced in the rhetoric of the cryonic discourse
...
“Did you ever interact with screens while dreaming? Like scrolling, writing, looking at pictures or videos online? Does the way we look at the surface of monitors and displays interrupt the rapid eye movement that is often associated with the experience of dreams?
Each time we interact with computer screens in our dreams, the way we look 'into' the display - a fixed point in space - disrupts the steady movements of the eyes during dream experiences and leads to immediate waking.”
“Slay, Pray, Display”, duflon/racz, 2022
Each time we interact with computer screens in our dreams, the way we look 'into' the display - a fixed point in space - disrupts the steady movements of the eyes during dream experiences and leads to immediate waking.”
“Slay, Pray, Display”, duflon/racz, 2022
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HACKOSEXUAL - hackosexuality is the erotic attraction by being hacked by others or hack value of another person.
TRANSFORMULATION, diminutive of transformation. Performs its own unconformity, underlined with a red wave by the computer, unrecognizable to the software and therefore identified as an error, incapable of bringing to effect the call to intervene and modify; recode and re-define.
OVERLINING. As you type, Word displays a wavy line under suspect text as follows: A red line indicates a possible misspelling. A green line indicates a possible grammatical error. An overline signalizes a linguistic in(ter)vention to interpret and use words in a personalized way, choose the color of an overline and use it to comment on the process of deconstructing a word, sentence or a whole chapter - overlines will indicate that there is no misspelling or error but a critical, speculative linguistic approach that makes space for inter lingual and cultural expression.
TRANSFORMULATION, diminutive of transformation. Performs its own unconformity, underlined with a red wave by the computer, unrecognizable to the software and therefore identified as an error, incapable of bringing to effect the call to intervene and modify; recode and re-define.
OVERLINING. As you type, Word displays a wavy line under suspect text as follows: A red line indicates a possible misspelling. A green line indicates a possible grammatical error. An overline signalizes a linguistic in(ter)vention to interpret and use words in a personalized way, choose the color of an overline and use it to comment on the process of deconstructing a word, sentence or a whole chapter - overlines will indicate that there is no misspelling or error but a critical, speculative linguistic approach that makes space for inter lingual and cultural expression.
![](https://freight.cargo.site/t/original/i/87a8dcd10475d8d572a3e011d1107d0de0768c7a926386b9e83ae6c325bdcb37/ImposedAvatar_boradsheet_Page_22-copy.png)
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Cultural appropriation as a process of othering in the context of the postcolonial digital museum: Based on a case study of the 3D video mapping show Illuminariium, I use Reverse Charachter Moodboards and Video Assemblages to argue that cultural appropriation is made intangible by digital technology such as CGI/projection mapping, by constituting the digital itself as ‘the other’ that is desired and marvelled at. this multimodal artistic research analysis is captured in the following video, which contains text excerpts from the article Amsler,Claudia/ Pinarci,Levent (in peer-review, 2021). The Augmented Other. In: Freiburger Zeitschrift für Geschlechterstudien.
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fake feedback 2012 Clay Bust, Projector, Videoloop 4’20 mp4Installation view Kunsthaus Langenthal 2013